In an era where the lines between traditional television and internet broadcasting have all but disappeared, one channel in Poland has taken the leap into the future with a state-of-the-art production setup. Kanał Zero, the groundbreaking digital-first broadcaster led by Krzysztof Stanowski, has quickly established itself as the country’s most ambitious YouTube-based network. But behind the gripping interviews and compelling discussions is a technological marvel: a studio powered by Panasonic PTZ cameras.
While many internet broadcasters rely on conventional camera setups, Kanał Zero has embraced the power and flexibility of Panasonic’s AW-UE150K PTZ (Pan-Tilt-Zoom) cameras, a decision that has fundamentally reshaped how live and recorded productions are executed in the studio. With over 120 square meters of studio space, the channel required a solution that could deliver high-quality video while allowing for rapid frame adjustments, automation, and remote operation—all without the cumbersome footprint of traditional multi-operator camera rigs. Enter Panasonic’s PTZ lineup, an industry leader in broadcast automation.
Why Panasonic PTZ?
For a studio operating live from 6:00 AM to 11:00 PM, the demand for efficiency is enormous. Every second counts, and every shot needs to be flawless. The AW-UE150K, Panasonic’s flagship PTZ camera, is designed to deliver high-quality 4K60p video, ultra-smooth motion, and seamless remote control, making it an ideal fit for Kanał Zero’s fast-paced production environment.
The Panasonic PTZ system has been a game-changer for Kanał Zero. They needed a setup that was adaptable, compact, and yet delivered the same high-end broadcast quality that you’d expect from a major television network. These cameras allow them to switch angles, adjust framing, and operate with a minimal crew—all while maintaining stunning visual fidelity.
Unlike conventional camera setups that require multiple operators, Panasonic PTZ cameras can be controlled remotely, freeing up resources while enabling highly dynamic live productions. The system’s precise robotic movements, combined with pre-programmable shot presets, allow for rapid scene changes, maintaining an effortless flow from segment to segment.
A Perfect Fit for Live & Pre-Recorded Shows
At Kanał Zero, the production ecosystem is as complex as any major television network. The schedule spans morning shows, in-depth interviews, panel discussions, and evening broadcasts, all requiring different camera configurations and framing styles. Thanks to the AW-UE150K’s 75.1-degree wide-angle lens and 20x optical zoom, every corner of the studio can be captured with clarity and precision.
For live broadcasts, the PTZ system offers real-time responsiveness, ensuring that hosts and guests remain perfectly framed even during fluid, fast-paced discussions. The ability to save and recall precise shot presets means camera angles can be changed instantaneously, cutting down on transition times between segments. This has been especially useful for the Godzina Zero program, which frequently features high-profile guests and politicians, including a now-famous interview with the President of Poland.
For pre-recorded segments, the flexibility of PTZ control allows for a level of creative dynamism rarely seen in digital-first broadcasting. Operators can adjust framing and movement remotely, adding subtle motion to otherwise static shots. The result? A polished, professional look that matches—if not exceeds—what audiences expect from traditional television.
Seamless Integration with Studio Infrastructure
Of course, high-end cameras are only as good as the infrastructure supporting them. At Kanał Zero, all video feeds from the Panasonic PTZ cameras are routed through an SDI-based network to a central video router, ensuring minimal latency and high-quality signal distribution. The main vision mixer, a Vizrt TriCaster 2 Elite, seamlessly integrates with the PTZ system, providing a unified control interface where everything—from graphics to live switching—is managed in one place.
In addition, the cameras are fully compatible with the studio’s lighting rig, which features Dedolight and Kino Flo fixtures. This ensures optimal exposure settings without requiring constant manual adjustments. Meanwhile, NETGEAR AV Line network switches handle the underlying network infrastructure, guaranteeing a stable and interference-free connection between cameras, control stations, and streaming platforms.
Future-Proofing Polish Digital Broadcasting
The success of Kanał Zero isn’t just about content; it’s about redefining how digital broadcasting should operate. By leveraging a Panasonic PTZ camera system, the channel has created a highly efficient, streamlined, and professional production environment that rivals top-tier television networks.
What’s more, the studio’s modular design means it can continue to evolve as technology advances. The same PTZ infrastructure that powers today’s productions can be expanded or upgraded, allowing for new integrations such as AI-driven camera automation or real-time remote operation from anywhere in the world.
As Polish media continues its shift towards digital-first platforms, Kanał Zero stands as proof that the future of broadcasting isn’t just online—it’s smarter, more efficient, and powered by cutting-edge technology. Panasonic’s PTZ cameras have not only helped revolutionize Kanał Zero but have set a new benchmark for internet-based journalism. And if the channel’s meteoric rise is any indication, this is just the beginning of a new era in European media.
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